E.I.F.S Wall Sytems

Although often called "synthetic stucco", EIFS is not stucco. Traditional stucco is a centuries-old non-insulating material which consists of aggregate, a binder, and water, and is a hard, dense, thick, non-insulating material. EIFS is a lightweight synthetic wall cladding that includes foam plastic insulation and thin synthetic coatings. There are also specialty stuccos that use synthetic materials but no insulation, and these are also not EIFS. A common example is what is called one-coat stucco, which is a thick, synthetic stucco applied in a single layer (traditional stucco is applied in 3 layers). There is also an EIFS-like product called a direct-applied finish system (or DAFS), which is essentially an EIFS but without the insulation, and has quite different characteristics.

Acrylic Stucco

As a building material, stucco is a durable, attractive, and weather-resistant wall covering. It was traditionally used as both an interior and exterior finish applied in one or two thin layers directly over a solid masonry, brick or stone surface. The finish coat usually contained an integral color and was typically textured for appearance. Traditional stucco is made of lime, sand, and water. Modern stucco is made of Portland cement, sand, and water. Lime is added to increase the permeability and workability of modern stucco. Sometimes additives such as acrylics and glass fibers are added to improve the structural properties of the plaster. This is usually done with what is considered a one-coat stucco system, as opposed to the traditional three-coat method.

Moulding Design

Moulding or molding (USA) is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster but may be made from plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. At their simplest, mouldings are a means of applying light and dark shaded stripes to a structural objects without having to change the material or apply pigments. The contrast of dark and light areas gives definition to the object. Graded shadows are possible by using mouldings in different shapes: the concave cavetto moulding produces a horizontal shadow that is darker at the top and lighter at the bottom.